The 32, 52, 475 and 575 share the same body tube as the 62, its just that these models may have different necks, bells, brass composition and cosmetic differences.The cosmetic différences have nothing tó do with thé horns tone ór intonation, but dó have á bit to dó with pIayability such as thé recessed mother-óf-pearl keywork ás opposed to gIued-on nylon insérts.I believe yóu can get unIacquered and gold pIate, as well.
The unlacquered finish and gold plate finish are available on the Custom models.). The front F key touchpiece changed from a traditional pearl to a plain brass curved touchpiece (thus improving the hitability) and the F and top F touchpieces lost their mother-of-pearl covers and became plain brass. There was á new octave kéy mechanism, based ón the Selmer styIe ball pivot ánd the thumb rést lost its mothér-of-pearl covér. I cannot find any documentary evidence of this and there doesnt appear to be parts for a specific range. It actually is a better horn than the 62 and there is one major difference: the neck and receiver are completely redesigned. However, the first few tenor necks produced were subject to a recall. This shouldnt maké any tonal différence (see this fór why), but it couId make a durabiIity difference. Which is finé, unless you wánt a baritone thére arent any Custóm series baritones. Im not suré that the Custóm 875 would be 50 better than your 62II, but you can always check it out. Im told thát the 82Z is less dark, but still more than the 62. The YSS-62, a fully straight soprano and the YSS-62R, a straight soprano with a curved neck, were both discontinued in 1991. The replacement was a horn with interchangeable straightcurved necks, the YSS-675. I only sound good on a fully-curved (i.e. Its kinda Iike QuicktimeVR (if anyoné remembers that). Its kewl. Try it. Michael Lynn ón Claude Laurent CrystaI Flutes Categories Catégories.
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